In appealing to its audiences need for escapism, Game of Thrones revitalised a genre that few knew needed revitalising: the sword-and-sandals saga, a once-hardy movie sub-species that gave us serious-minded epics like Ben-Hur as well as primitively-animated Ray Harryhausen monster movies. The sword-and-sandals genre and its cousin, the sword-and-chainmail medieval epic often flirted with kitsch and camp. TV producer Robert Tapert tapped into this in the 1990s with Xena: Warrior Princess, playing it for knowing giggles. Game of Thrones also contains some of the swashbuckling flair of 1938s classic film The Adventures of Robin Hood Errol Flynn-calibre wit and wordplay fly as quickly as the shows many severed heads. This particular tone is where the TV series benefits from the fact that Martin is not a literary writer; hes a wooly yarn-spinner, rolling out a cleverly stitched tapestry of interconnected subplots.

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Compare that with the . Under one of the worlds most prominent experts, it will "do world-class artificial-intelligence research using all of the knowledge that people have shared on Facebook" with potential gains including building "services that are much more natural to interact with."

Fiorente was bred in Ireland and spent his early career with British trainer Sir Michael Stoute before transferring to Australia last year.