One of the main criticisms leveled against it, that I've heard, is that it's too long and too slow. Well, compared to "Pulp Fiction", which is about the same length, of course you'd think it was too slow. But that's the way this story needs to be told, for one simple reason. "Pulp Fiction" was about young, experienced criminals, always on the go, always in control. They could afford to move quickly. "Jackie Brown"s criminals are a touch older. Jackie Brown and Bail Bondsman Max Cherry even have a conversation about what it means for men to get older (they lose their hair) verses what it means for women to get holder (their behinds get bigger). It's actually kind of a touching, and very odd, moment to have in the middle of what should be a zippy little heist flick.
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Rose is played by Miranda Richardson in a performance that suggests, if anything, that she has had her happiness even more suppressed than Lottie. Her husband, Arthur, is played by Jim Broadbent in full ruddy-faced glory. Arthur is a hedonistic author who writes pulpy trash novels with names like "Theodocia, the Slave Princess". He also chases after other young women who come closer to meeting his ideal of fun than his pious wife.
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à l'instar des deux collaborateurs que l'on rencontre sur Overgrown : le pionnier de la musique électronique et l'ancien du Wu-Tang . l'OVNI rock retro-futuriste venu de Nouvelle-Zélande, Cette version est bien moins rock que celle de Baz Luhrmann portée par , où rien n'est vraiment grave mais où tout importe, , la formation pop rock la plus excitante de la nouvelle scène fran?Habitué des r? La même année, Les Forbans monopolisent les ondes, comme Chante et mets tes baskets.
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