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If expectations were weighing heavily on Vicente del Bosques burdened shoulders, he wasnt showing it. Stepping ahead the assembled crush contingent on the threshold of the Humanity Cup final, the trainer of Spain knew it was interval his hinterlands delivered. The sole feeling he showed throughout those 15 minutes was a gentle beam, followed by I meditate on we can. We are capable.
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Which brings me to the most intriguing thing about this movie. Tarantino, who the rap on in recent years has been that he's tormented by his early success and hasn't the confidence to make his next picture, actually shows a very assured hand in making this movie. Besides the above conversation between two aging characters, there are other places where he shows supreme confidence in his decisions. For instance, he's cast Robert DeNiro in his movie. Okay, a no-brainer, right? Wrong. Because he's cast DeNiro in a tiny, stoical role. Simultaneously, he's cast Robert Forster (I know he got an Oscar nod, but before that wasn't everyone asking "Robert who?" in a role that's very meaty, the tortured love-interest. A less-assured director would have switched the two actors, but Tarantino knows what he wants, and boy does he get it. DeNiro doesn't do more than he has to in creating his understated character. And Forster steals the show with his laid-back, relaxed, but always conflicted Bail Bondsman.
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