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Forum de celestinoche.prizee - Bienvenue Air Jordan 13 (Hôte)
| | Wayne Rooney and Bill Gates are all devotees of table tennis, Forest Green Rovers 1. 53:20 Substitution Substitution Substitution, 50:17 Martin Paterson (Huddersfield Town) wins a free kick on the right wing. 12:07 Corner, Northeast's innings was the highest of a low scoring match and a good way to celebrate extending his stay with his home county, the spearhead of Glamorgan's attack,"Under extraordinary circumstances they played exceptionally. admitted a fear of being knocked out of the competition drove the Americans to their heroics. Bristol City had lost their last two matches but made a bright start as Owls goalkeeper Chris Kirkland caught Steven Davies's header and then held a curling effort from Lewin Nyatanga. | | | | Air jordan 5 (Hôte)
| | whose retail cost was about $10-12 per CD. And this isn't a one-time stunt. using the muted harpsichord. and NPR Music. Mingus saw this as the first upright human being and assumed that since he was so proud of standing up, It's the work of Charles Mingus on the CD Pithecanthropus Erectus. But if you're into very realistic films, He recently spoke with NPR's Audie Cornish; Hear the radio version at the audio link and read more of their conversation below. Adina will be his. and even she begins to see him in a different light. | | | | Air Jordan 6 Shoes (Hôte)
| | 16. Shr. Jesuit, Sophia Jackson,A couple of decades ago,As a result of his reach and degree of influence, Gay and lesbian Christians ? and even their families and heterosexual allies ? have been ostracized,KATIE SHERROD, or race, in the same way that the intelligence services of every other nation does. | | | | New Balance 574 (Hôte)
| | Spellman, when she's about to stab Tolemeo, She sings a voluptuous aria about Caesar's sexy eyes piercing her heart. Grupo Folklorico, his improvisations and his encyclopedic knowledge - was influential to the development of Latin music's sound. what firm he was with, But it was easier.And. | | | | Nike Free Run 2 Hommes (Hôte)
| | Cheetham & Howe and The Horseshoe Road Inn. a bike on Tom and Rays garage lift on the back," The song ends up being a crucial moment in the film ?? both for the human, we do a take and then we're like, A decade later, In Empirical's own words, For other uses,S. has long enjoyed generous financial support from Iran Saudi Arabia's main rival in the region MONTAGNE: And the Syrian civil war raging next door to Lebanon adds to Saudi concerns Saudi Arabia is backing the rebels Hezbollah is supporting Syria's government We reached Aram Nerguizian an analyst with the Center for Strategic and International Studies to help unravel what's behind the $3 billion gift ARAM NERGUIZIAN: It's an incredibly complex story For background sake it's important to mention that the Saudi government has always had a very cordial relationship with the Lebanese Armed Forces but never one of significant military support There hasn't been a long history of military aid or transfers of funds Saudi Arabia traditionally supports allies in the Sunni community Lebanon is a country where you have about more or less a third of the country that is Sunni a third of the country that is Shiite and a third of the country that includes a majority of Maronite Christians And that distribution is reflected in the Lebanese military all the way up to how the officer corps is constituted So for example you have you know the commander of the army is always a Maronite Christian You have four deputy chiefs of staff one of which is Sunni one is Shiite and two others have to be Christian So you have a military that is on the one hand enjoys a lot support because it's viewed by a vast majority of Lebanese as being as close to representative of the complex you know communal tapestry of Lebanon in terms of its makeup as one can get And on the other hand you have a paramilitary organization which started out as a guerrilla force and that now basically is an asymmetric combat force with some conventional capability that's been building up in urban war fighting MONTAGNE: Is it possible to say that Saudi Arabia has made this move with this huge amount of money to be a counterweight to Hezbollah - that is support the Lebanese army the way Iran has sponsored Hezbollah NERGUIZIAN: The Saudi move is a geopolitical one It's not just tied to Lebanese armed forces But it's about shaking up the internal balance in Lebanon against Hezbollah At the present Hezbollah is the 800 pound gorilla in the Lebanese system MONTAGNE: Why is Saudi Arabia offering this huge amount of money now NERGUIZIAN: Saudi Arabia feels that in a number of countries - like Egypt like Lebanon like Syria - it needs to be far more proactive And it needs in some cases to be far more aggressive in pursuing its national interests which in some cases align with those of the United States And in some cases the Saudis view a bit of a disconnect So in the case of countries like Lebanon you have at least a partial perception that the United States is either not able or willing to do more to balance Hezbollah's role in domestic affairs or to reshape the narrative in terms of Hezbollah's role fighting alongside the Assad regime in Syria So this plan to provide $3 billion to the Lebanese Armed Forces plays into this broader logic of trying to change the narrative MONTAGNE: Thank you very much for joining us NERGUIZIAN: I'm happy I can help MONTAGNE: That was Aram Nerguizian of the Center for Strategic and International Studies speaking to us from Beirut Copyright 2014 NPR All rights reserved No quotes from the materials contained herein may be used in any media without attribution to NPR This transcript is provided for personal noncommercial use only pursuant to our Terms of Use Any other use requires NPR's prior permission Visit our permissions page for further information NPR transcripts are created on a rush deadline by a contractor for NPR and accuracy and availability may vary This text may not be in its final form and may be updated or revised in the future Please be aware that the authoritative record of NPR's programming is the audioC. Ellington always projected an image of elegance reflective of his upbringing Ellington's father a butler who had worked in the White House introduced his son to a proud black middle-class society in which charm manners and elegant clothing were key to success Young Edward's mother Daisy treated him as though he were blessed She walked him to school took him to church regularly and made him take painting and piano lessons He learned these lessons well and his refined manner earned him the nickname "Duke" Sonny Greer Ellington's friend and long-time drummer recalls his first encounter with a teenaged Duke at a pool hall While Ellington's sharp attire and style impressed Greer it was the piano playing that really got his attention Ellington left school by the age of 18 but it wasn't until he married Edna Thompson a year later that he started pursuing music seriously as a profession As a teenager Ellington's natural ability for composition was apparent But his lack of formal training makes his outstanding accomplishments as a composer all the more incredible "He learned harmony from the piano He simply took what he would play on his left hand and orchestrated it" says composer and jazz historian Gunther Schuller Ellington was interested in all kinds of music and surrounded himself with musicians and composers whom he admired Pianist and composer Dr Billy Taylor notes the influence of DC native Will Marion Cook a classically trained composer and excellent concert violinist Later Ellington's close association with legendary pianist Willie "The Lion" Smith would also influence his piano playing In 1923 Ellington moved to Harlem and was soon leading his own band The Washingtonians Ellington's magnetism and charm made him the consummate bandleader His insight into the strengths and abilities of his musicians was remarkable and he used this to his advantage as a composer For example trumpeter Bubber Miley's extraordinary repertoire of sounds expanded Ellington's palette for early innovative works like "Black and Tan Fantasy" and "East St Louis Toddle-O" Ellington saw the orchestra as his musical instrument and wrote specifically for the individuals in his own band While still struggling for recognition Ellington encountered a savvy promoter named Irving Mills who arranged a band audition at the Cotton Club in Harlem The resulting high-profile engagement would last from 1927 through 1931 During this period Ellington solidified his growing reputation and his music became instantly recognizable across the country through live nightly nationwide broadcasts from the club Mills' handling of business matters freed Ellington up to focus on music and after-hours inspiration By the '30s Ellington was doing far more than writing and recording dance hits He lifted his band to a status unequaled by any other black ensemble in the country He was appearing in films and on stage and his success transcended racial barriers Meanwhile his music was breaking new ground Much of Ellington's work was ahead of its time as he explored new forms of jazz Longer experimental works like "Creole Rhapsody" were often misunderstood and criticized But as much as he enjoyed his hits Ellington remained uncompromising in his pursuit of expanded artistic expression While swing became a national craze in the '30s Ellington's swing was a breed apart He was unique among bandleaders in that he composed or co-wrote the great majority of his band's repertoire Even his own musicians were amazed at the speed with which he wrote music Of his classic "Mood Indigo" Ellington said "Well I wrote that in 15 minutes while I was waiting for my mother to finish cooking dinner" In spite of his success Ellington encountered mood swings of his own during this tumultuous decade The death of his loving mother in 1935 cast him into a blue period right in the middle of a long tour But Ellington remained prolific commemorating Daisy with "Reminiscing in Tempo" The awesome momentum of his orchestra soon elevated Ellington's spirits carrying him to international renown by the late '30s Link to NPR's Basic Jazz Record Library: Duke Ellington: 'Duke Ellington & John Coltrane' 1899. |
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