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| | These 4 ladies converge upon the Italian Castle and there... magic happens. I could go into detail, but I'd spoil you the pleasure of finding out for yourself. There are several times when the plot throws a wrench into the works, and in a different, lesser story, the movie would have degenerated into hysterical "drama". The way this film reveals and resolves these confrontations is like.... a breath of fresh Italian breeze through the Wisteria. I would ask only that you consider the shots of the moon in the penultimate scene - consider what the size and location of the moon means with regard to the tone of what is happening in the scene in the foreground. It is delightful.
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| | "Equilibrium", in short, manages to be entirely its own movie. Where The Matrix relies on "bending" the rules of physics in an imaginary construct of a world, "Equilibrium" goes the other way and hypothesizes the "Gun-Kata", a martial arts ballet that allows it's practitioners to predict and anticipate close quarters gun fighting and hand to hand combat. Then, through a series of precise, dance like movements, a person can take on several combatants, using exacting, fluid actions to eliminate his attackers. Given a decidedly artistic presentation within the course of the film, these rapid-fire rhapsodies are exhilarating and oddly beautiful. They glamorize death as an abstract expression of powder bursts and shrieking projectiles. The film features some of the best choreographed shootouts I have ever seen, and ends up putting anything in The Matrix Trilogy to shame.
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