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he changes the melody. "And in walks the largest human being I had seen in my life. reeds; Killick, Miya Masaoka stayed on from her solo set, Conn. where he heard gospel music for the first time "I mean those chords in Spiral Staircase and Bernard Hermann's great score to Vertigo still did not address - some of the other music I liked" Blake says So Blake moved to New York City when he was in his 20s He went to concert halls and jazz clubs "I just would be overwhelmed" Blake says "When you come from a little stuffy place in Connecticut and then you see who could give an ugly leer You see all of the people in the flesh" He met Mahalia Jackson and Blake got a job sweeping floors at Atlantic Records where the young pianist was discovered by composer "This man is such an incredible innovative unique genius - there's no one who plays like him and no one ever will" Schuller says Schuller says Blake's unusual approach to piano playing combined modern and classical harmonies folk music church music and jazz It was something Schuller himself was exploring - a kind of music he came to call "The Third Stream" He says Blake was radical without even knowing it (Blake reciprocated praise of Schuller earlier this year in a story from Weekend Edition Sunday ) "You know it's almost like autistic children can do things that you just can't comprehend how they can do that" Schuller says "And it's something like that because really truly he cannot explain at any point what he is doing but he just has all this music - both the jazz language and classical language - in his ear in his mind in his heart or wherever it is and it just flows out of him" Teaching Film Noir Though he has performed and recorded with his own groups and many other musicians Blake spends much of his time performing solo and teaching Gunther Schuller calls him one of the most generous people he's ever met and Blake loves to share his passion for music and film noir Blake teaches a class on film noir at the in Boston He spends an entire semester on The Spiral Staircase using it to teach aspiring jazz and classical musicians how to improvise their own soundtracks "I've been a fan of Ran's music since I was about 16 which I mean 4 years ago not really long" says Brandon Lopez a 20-year-old guitarist and student "But he's a brilliant dude He's kind of like this 'Beethoven-ian' figure in jazz which is incredible" The people around Blake clearly adore his quirky nature Even the pianist recognizes that his mind doesn't work quite the way others' might "I want to try to be linear" Blake says "I think this lack of linearity though has probably not made me a giant in music with these interruptions and these fading shots and these stairways the glass in a telephone booth the window pane the fog are we in a foggy day in London Are we with Sherlock Holmes or Twiggy Where are we and these atmospheres and these rain drenched streets of Washington Street in Brookline on a fall night with leaves that are congealing on the sidewalks" So is Blake's life like a film "Yeah And I can turn it on and off It's sometimes a little bit hard" Blake says laughing As long as Ran Blake can dim the lights close his eyes and play the music that fills his head his personal film will continue to roll" "It's not the L.[MUSIC] A Spellman, ideas about what was ahead of us." The song.